Zoekresultaten
D’HAENE Rafaël (1943)
…West Flanders (1969) and the Tenuto competition (1972, for his orchestral work Capriccio), he earned the first prize at the international composition competition in Alicante with his cantata Klage der…
VAN DER STRAETEN Geert (1962)
…art songs. Van der Straeten’s works are divided into numbered and unnumbered compositions. He uses various compositional techniques, ranging from tonality to extended tonality to atonality – and this right…
Library
…a unique and ever-growing collection of and about art music written since 1950. Everyone with an appetite for (new) music is welcome in the library. A staff member is present…
DE SMEDT Kristin (1959)
…She began her studies there by combining an instrument (violin) with theoretical subjects, but subsequently concentrated completely on the written disciplines: harmony with Peter Cabus and counterpoint and fugue with…
VAN DURME Jef (1907-1965)
…Durme completed his studies in keyboard (with De Vos and Lenaerts). He also studied counterpoint, fugue and orchestration with Flor Alpaerts. After several successful performances of his compositions, the Antwerp…
DE PILLECYN Jurgen (1965)
…works. De Pillecyn has regularly composed commissioned works, for such organisations as the Axion Classics National Music Competition, the Dinant International Competitiion for Saxophone and the Flemish Community. Jurgen De…
VERMEULEN Hans (1961)
…of any part would be impossible without damaging the whole. It does not seem irrelevant to expand this thesis to cover the composer’s complete oeuvre. A composition by Vermeulen can…
Sector meeting ‘Music Publishing’
…with our panelists who are members of an ensemble, composers or artists. We’ll search for good practices, try to identify pitfalls, and to find the key to successful partnerships. Or…
Privacy policy
…toestemming in te trekken Wanneer de rechtmatigheid van de gegevensverwerking berust op de uitdrukkelijke toestemming van de abonnee/deelnemer/gebruiker, heeft deze laatste het recht zijn toestemming om het even wanneer in…
ISCM – Call for proposals
…the Conservatory of Ghent, Cornelis researched how to use computational techniques to describe music away from Western musical concepts. The results offer new possibilities for composers and musicians in the…
Home
…to the World: On Interactive Music’ Internet, tablets and smartphones create endless new possibilities for the creation, performance and presentation of music. MATRIX invited music journalist Monika Pasiecznik to explore…
About us
…and documentation centre have been awarded ‘Best for Classical Music’ by THE WORD. Rooted in the awareness that the compositions of today can turn into endangered heritage tomorrow, we pursue…
Hallveig’s Choice
…together. The work is the abstract film Threshold from 1972, by British filmmaker Malcolm Le Grice. With his experiments and endless curiosity into the medium of film and video, Le…
Sector Meeting ISCM
…Cornelis studied how to use computational techniques in describing music without starting from Western musical concepts. The results offer new possibilities for composers and musicians when it comes to the…
Marina’s choice
Marina Sudo finished her PhD research on noise music in October 2021. She has been a regular visitor of our library and wants to share her enthusiasm for one particular…
Publications
New Music and Video New Music and Virtuality New Music and Theatre Interface to the World No(w) Piano No(w) Saxophone Musica Futurista No(w) Guitar The Pluriverse of Lucien Goethals Getekende…
James Saunders’ favourite
…games designers, considering how the structure of games–their aims, rules, goals and contexts–affect behaviour and create meaning. They suggest games can communicate and embody values, for example violence, antagonism, territoriality,…
James’ Choice
…games designers, considering how the structure of games–their aims, rules, goals and contexts–affect behaviour and create meaning. They suggest games can communicate and embody values, for example violence, antagonism, territoriality,…
Workshops
…of new music. The topics we cover are composing, listening, discovering and last but not least, playing music. Some examples Start to listen is an online toolbox for primary schools….
Monika’s Choice
…with completely new playing techniques peculiar to the electronic instruments. Glissandos on a single note or chord, microtonal passages and accents during individual sounds or volume modulations, etc. And as…