Zoekresultaten
BROSSÉ Dirk (1960)
…Flanders and in September 1999 was music director of the Tokyo International Music Festival. Meanwhile he has remained active as a composer of music for films (important projects with Roland…
GISTELINCK Elias (1935-2005)
…and chord progressions, in the choice of titles (Song for Miles, for example, for trumpet and piano, 1996) and in the quasi-improvised character of the melodies (which are, however, completely…
BUDAI Erika (1966)
…electronic and film music (with W.C. Rothe). She completed her education as a composer at the Lemmens Institute, studying counterpoint and fugue with Ludo Claesen and composition with Piet Swerts….
DE JONGHE Marcel (1943)
…– A composer’s testimony, back to emotion, AW 7290 – Concerto for alto saxophone and harmony orchestra, René Gailly 87094 – Promenades for guitar trio, EMI 7243/5567182/0 – A goodie…
TAS Rudi (1957)
…economy of means, eclecticism, knowledge of the metier of composing, searching for balance and control of emotion and form. List of works Chamber music: Diaspora for 3 clarinets and…
ROELSTRAETE Herman (1925-1985)
…Anneessens went to England together to look for instruments belonging to the Anneessens family; he later wrote a history of these instruments. He inspected more than 270 organs in Flanders,…
GEYSEN Frans (1936)
…commission posed a compositional problem: how could Geysen reconcile the normally extrovert genre of the concerto with his introvert musical language? The composer attempted to make of this oboe concerto…
VAN PUYMBROECK Stefan (1970)
…relaxed approach to musical style, the various parameters, form and aesthetics in his compositions, and is driven by desire for a symbiosis between a Romantic conception and a contemporary musical…
Parcoeur
…their pupils, not only to surprise the audience with wayward performances of existing works, but also allowing for self-made compositions and improvisations, cross-overs and experiments with new technologies. A guide…
DEVREESE Frédéric (1929-2020)
…work in that competition. This led to national attention and grants to study in Rome (composition with Ildebrando Pizzetti and conducting with Previtali) and Vienna (conducting with Hans Swarowski). Devreese…
GYSELYNCK Franklin (1950-2020)
…doubt part and parcel of the composer’s quest for a freer form of expression. And yet, the underlying logic of descending and ascending movement in this work, like the presentation…
ROSSEAU Norbert (1907-1975)
…the IPEM (Institute for Psycho-acoustics and Electronic Music) in Ghent. Together with Louis De Meester, he was the first composer in Flanders to compose twelve-tone and electronic music (after the…
VANDE GINSTE Stephane (1971)
…(Diverse verses) for soprano and violin, and Rommelen in de pot (Rummaging/Rumbling in the pot) for bass clarinet and percussion. As mentioned, didactic works and compositions for young people have…
ISCM-Flanders
…is to promote and establish contemporary music as an art form. Within this network, MATRIX represents Flanders, devoting itself to the distribution of the music of Flemish composers through, amongst…
CABUS Peter (1923-2000)
…Brussels (piano with Charles Scharrès, chamber music with André Gertler, composition and fugue with Jean Absil and Léon Jongen). He gradually made his name more as a composer and teacher…
POSMAN Lucien (1952)
…in solfège, harmony, music history and composition (under Roland Coryn), as well as a teaching certificate for solfège (first and second cycle). In Antwerp he received a first prize for…
RATHÉ Filip (1966)
…Wagner’s Tristan und Isolde and even to Happy Birthday. After his acquaintance with German composer Nicolaus A. Huber and ever since he has been fascinated with a personal introspective research,…
ALBERT Karel (1901-1987)
…passed on to him a thematic-motivic approach. As outlined above, Albert was among the first modernists in Belgium, along with Baeyens and Pelemans. For these composers, structure and expressive tension…
CRAENS Alain (1957)
…for the Pro Civitate National Music Competition. Work The music of Alain Craens is difficult to categorise, being sometimes tonal and sometimes atonal or “freely tonal”. His music often…
VERSTOCKT Serge (1957)
…a formal basis for his computer assisted compositions. In order to achieve this goal, Verstockt began to write his own computer programs. One of the programs is called Trans, a…