Zoekresultaten
VAN EYCKEN Stefan (1975)
…operation of the keys (indicated in detail in the score), the timbre is deconstructed in such a way that a totally new side of the instrument is heard: often very…
VAN PUYMBROECK Stefan (1970)
…in Antwerp, where he earned a “Master in Music” diploma, as well as first prizes in solfège and music history. He took masterclasses in piano with Jean Brouwers in Brussels….
DE VLEESCHHOUWER Ward (1980)
Currently not available in English Work Currently not available in English List of works Currently not available in English Bibliography Currently not available in English Discography…
STEEGMANS Paul (1957)
…has given concerts both in Belgium and abroad (Germany, Sweden, England) as a soloist and improviser. Work Paul Steegmans treads many paths in his compositions. Some of his works…
MEYLAERS Stefan (1970)
Stefan Meylaers was born in Neerpelt on 1 December 1970. He studied piano at the Lemmens Institute in Leuven, graduating with a Specialist Diploma in piano (magna cum laude) and…
POOT Marcel (1901-1988)
…(1969). In addition, the thematic relationship is striking in certain works, both in the early (Sonata for piano, 1927) and the later compositions (Mosaïque, 1969). In all three movements of…
LOGGHE Geert (1962)
…comprehensibility. In the outer movements, the four speakers are combined with two instrumental groups and in the middle movement four instrumental groups are combined with two speakers. Forma Formans (1989),…
BRUYLAND Paul (1944)
…aan de muziekacademie van Gentbrugge. Hij is ook organist te Mariakerke en dirigent van het kamerensemble Animando. In 1973 won hij de Tenuto compositiewedstrijd met Orkeststudie voor symfonisch orkest. In…
LIERMAN Aurélie Nyirabikali (ca. 1980)
…large number of works that she describes as ‘performative installation’. In 2019 Lierman created (Non) Humanism & Animism: Sogokuru. Her source of inspiration again lies in Rwanda, in the extraordinary…
VAN DE WOESTIJNE David (1915-1979)
…head of the division in 1966. Van de Woestijne also developed a career as a concert pianist, giving performances of his own compositions abroad (including in France, Denmark and Sweden),…
ALBERT Karel (1901-1987)
…book Over muziek gesproken… in 1982. Karel Albert died in 1987 in Liedekerke (Belgium). Together with August L. Baeyens and Willem Pelemans, Albert promoted modern music in Flanders in the…
COPPENS Claude (1936)
…International Piano competition in Paris (1955), the Queen Elisabeth competition (1956) and the International Piano competition in Rio de Janeiro (1957). He premiered the first of Villa Lobos piano concertos,…
CELIS Frits (1929)
…harp and orchestral conducting. He then undertook further studies in conducting at the Mozarteum in Salzburg and at the Staatliche Hochschule für Musik in Cologne. In 1946 he began his…
SLEICHIM Eric (1958)
…performances in the Museum for Contemporary Art in Ghent in 1985 and for the compositions Non-Euclidian Solos and Verwicklungen/Les Anamorphoses for Documenta IX in Kassel in 1992. In 1994, a…
SWINNEN Peter (1965)
…in a Leitmotiv that is linked to the protagonist and which is also the main theme from Die Kunst der Fuge by Johann Sebastian Bach. In addition, the opening and…
ROSSEAU Norbert (1907-1975)
…his studies in composition with Ottorino Respighi. Around 1934, Rosseau studied psychology and philosophy in Ghent. His career as a violin virtuoso came to a sudden end with an injury…
HADERMANN Jan (1952)
…composition (with Matthy Niël). He went on to study with composer Willem Kersters at the Royal Conservatory in Antwerp, there earning his first prize in composition. In 1973 Jan Hadermann…
GROSLOT Robert (1951)
…transcribed for Flute and Orchestra (1998), Seven songs for Ensemble (Franz Schubert) Des Baches Wiegenlied, Wohin?, Der Müller und der Bach, Gretchen am Spinnrade, Sei mir gegrüsst!, Liebesbotschaft, Der Leiermann…
CORYN Roland (1938)
…in the late 1980s, he has been interested mainly in composing chamber music: he believes that the communication with most orchestras and their conductors tends to be inadequate. Since his…
VALCKE Martin (1963)
…to be set to music, Martin Valcke attaches great importance to the clarity and intelligibility of the language. In his instrumental compositions, he usually chooses a scoring with classical instruments,…