Zoekresultaten
BIESEMANS Janpieter (1939-2016)
…Modern techniques are never used as an end in themselves, but rather in function of what the composer means to express. In this way, the innovative recorder techniques in the…
100% Belgian Music / 100% written after 1830
…Brewaeys Sixty)’ is included in the festival, for the occasion in a French translation. In 2018 the Belgian Music Days were created by a group of musical partners from all…
PEETERS Flor (1903-1986)
…and shorter than his compositions for large organ, and they are more didactical in nature. In particular, the player is initiated into the art of registration through Peeters’ clear indication…
BIKKEMBERGS Kurt (1963)
…at the conservatory in Hasselt. In 1978 he continued his secondary school education at the Lemmens Institute in Leuven, where his interest in composition grew. At this same school, Bikkembergs…
BLOCKEEL Dirk (1955)
…organist at St Martin’s church in Kortrijk. In 1994 he received a second prize in composition with his teacher Roland Coryn. Blockeel also works frequently as an accompanist and teacher…
VAN CAMP Bram (1980)
…violin with Vegard Nilsen and Kees Koelmans, composition with Wim Henderickx and piano with Pascal Sigrist. In 2003, Van Camp earned his Meester in Muziek for violin, composition, counterpoint and…
POSMAN Lucien (1952)
…Nieuwe Muziekgroep, 10, september 1986, p. 25-37 – D. BLOCKEEL, Lucien Posman. Van een tovenaar die wielen deed draaien en hoe hij verder denkt te zullen rijden, in Ambrozijn, 10/2,…
BUYL Maarten (1982)
…the string quartets demarcate the volume of the sound-cloud in the space. In this composition, Buyl ventures into the zone where sound and silence meet. As mentioned above, the composer…
D’HAENE Frederic (1961)
…at the Rijksuniversiteit Gent. In addition, he took part in the Internationale Ferienkurse für Neue Musik in Darmstadt in 1988. Between 1990 and 1995, Frederic D’haene was an assistant teacher…
VAN INGELGEM Kristiaan (1944)
…post-secondary studies in music at the Lemmens Institue in Mechelen and Leuven. There he won the Lemmens-Tinel prize for organ under Kamiel D’Hooghe in 1969. In 1972 he earned a…
VERMEERSCH Peter (1959)
…– WEG, VIAkra VIA 6920012 – PORQUE TE VAS – MA PETITE, VIAkra – MEDDLEY PROOF (enkel MP3 via http://www.atrecordings.com/xleggedsally/index.html) – FEEL FREE TO VOMIT (enkel MP3 via http://www.atrecordings.com/xleggedsally/index.html), 1999…
VAN LANDEGHEM Jan (1954)
…earning first prizes in composition (magna cum laude) under Peter Cabus and André Laporte in Brussels and a solo diploma in organ under Kamiel D’hooghe in Maastricht. He attended courses…
BAEYENS August (1895-1966)
…again appointed director, this time playing a less obtrusive role and concentrating more on the administrative aspects of his position. In 1958 he resigned in order to devote himself completely…
CRAENEN Paul (1972)
…Thierry Demey and Jonathan Harvey (6-15 April 2001) in Brussels, the Acanthes Composition Seminar in Avignon (1999) and the Ferienkürse für Neue Musik in Darmstadt (2002). Since July 2001 he…
BYLOO Jean-Paul (1949)
…a dense interweaving of the vocal and instrumental elements, resulting in a sort of forward-shifting cloud of sound in which only the mezzo-soprano solo part comes to the foreground. The…
DE VISSCHER Eric (1961)
…year, Erik de Visscher returned to Belgium to work for Youth and Music in Brussels. In 1987 he worked in Paris as a researcher at the IRCAM (Institut de Recherche…
MERTENS Wim (1953)
…terse basic material that is repeated in a compelling way and linked to striking melodies. Examples of this minimalist early phase include For amusement only (1980), in which the sound…
WAUTERS Christian-Adolphe (1953-2017)
Not currently available in English Work Not currently available in English List of works Not currently available in English Books -Muziek en Jeugd; van Gregorius tot Pink…
RATHÉ Filip (1966)
…which sounds strikingly diatonic, often as a harmonic foundation. In several compositions, he combines different transpositions of the same chord, as in the opening of his 2004 composition Cançãode vidro….
VERMOTE Petra (1968)
…becomes much more chromatic and atonal. In terms of her composing technique starting from Heron, the composer makes increasing use of pitch-class sets in order to achieve a degree of…