Zoekresultaten

VANPAEMEL Jasper (1986)

Power Rangers Blitz for string quartet and piano (2013); Snake Charmers for flute, clarinet, trombone, baritone sax, percussion and electronics (2014); Pulcherrima for four-hand piano (2016); In Defrost for clarinet,…

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VAN INGELGEM Kristiaan (1944)

…inherited from his father, to his own children Maarten (piano, organ and choir), Pieter (piano and organ) and Tineke (solo song, flute, piano and organ). The family frequently plays together…

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VAN DER ROOST Jan (1956)

and Earth) for mixed choir (competition organised by the Antwerp Provincial government) and in 1987 for Excalibur for brass band (competition organised by the Flemish Brass Band Federation). Jan Van…

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POOT Marcel (1901-1988)

…(1979); concerto for alto saxophone (1980) Chamber music: Sonatine for violin and piano (1926); Ballade for violoncello and piano (1948); Arabesque for clarinet and piano (1953); Musique for flute, oboe,…

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LAPORTE André (1931)

…the wind instruments or percussive effects for the strings). Now and then he complements this with electro-acoustic sources (as in, for example, Harry’s Wonderland for bass clarinet and two tapes,…

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BEYLS Peter (1950)

and the computer chip. Beyls turned to developing music with tape, particularly in the 1970s. One example of this is Dialoog for 2 synthesisers with tape transport (1974). Another work…

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DE VISSCHER Eric (1961)

…into contact early on with such composers as John Cage. On Cage’s advice, de Visscher went to Toronto in 1984 to study with James Tenney at York University. In 1986…

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Interface to the world: On interactive music

…of additional and accessible background information, MATRIX wants to encourage young people and adults to get over their cold feet and wants to open ears and mind to the music…

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Visit the library

…on site from our library staff. Are you short in time? Send us your list of titles (and callnumbers) beforehand via e-mail and we’ll make it ready for pick-up. Opening…

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ADRIAENSSENS Paul (1952)

…the computer are the result of a basic formula entered by the composer. The computer consistently applies the same formula to the previous result, creating an increasingly more undefined and

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D’HOE Jeroen (1968)

…process. A composition commission (with the performance opportunity that goes with it) makes it possible for a composition, and a certain vision that lies behind it, to reach an audience….

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SLOOTMAEKERS Martin (1968)

…(Im)mobile (for oboe and piano) was the compulsory work for oboe and bassoon. In 1998, Martin Slootmaekers submitted his composition Nunc Dimittis (for mixed choir and organ) to the Alphons…

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VAN DE WOESTIJNE David (1915-1979)

…Graal 68 for mixed chorus and orchestra (1968); Blaadje zurkel for alto and piano quartet (1971) Orchestra: Ballad for piano and orchestra (1940); Concerto for orchestra (1946); Concerto for violin…

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VEULEMANS Dirk (1956)

…concrete sounds. This material was then cut and pasted to form a composition that deals with the increasingly advanced integration of technology into the human body. Besides composing tape compositions,…

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HENDERICKX Wim (1962-2022)

…(1995); An Evening Prayer for orchestra (2000) Chamber music: Searching for viola and marimba (1986); Four Pieces for clarinet and string quartet (1990); Io for brass quintet (1991); Om for

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FONTYN Jacqueline (1930)

…REVERIE ET TURBULENCE, CAPRICORNE, COLINDA, ES IST EIN OZEAN – Cybele 3 SACD KIG 005 Links https://www.youtube.com/watch?v=-ckaDTVnKQo https://www.youtube.com/watch?v=-e0Oq6U8QMw https://www.youtube.com/watch?v=hgCkOzk9E_w&list=OLAK5uy_kqGJfEy-_K2-NrTnqtQ36icDcT0TEKGx0&index=5 https://www.youtube.com/watch?v=NMcVmwfeSVU https://www.youtube.com/watch?v=Qygy4knO-5w&list=OLAK5uy_mLS6iz0Da_m9rXHXtGTul7GWNjxReudtc   ©MATRIX Texts by Wynold Verweij Last changes: 2020…

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PELEMANS Willem (1901-1991)

…is a lively tarantelle, with the comic element created by alternating cantabile lines with short and caustic rhythmic motifs; the second is trio-like, and notable chiefly for the classic overture…

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VAN GORP Dirk (1953)

…double bass, and for piano and double bass (2002); El fuego de la selva for accordion and double bass (2001); On the Irish for accordion and double bass (2002) and

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BIESEMANS Valentijn (1968)

…of melodic material and through a canonic passage. This work also features ostinato elements, heard in the open-fifths accompanying figure with which the second cello opens the work. This ostinato

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VAN HAEGENBORGH Heleen (1980)

…elements influence the choice of musical materials and formal design, as they raise constraints and specific predicaments for the composer. For Signaux, commissioned by Havenfestival Ghent in 2013, she used…

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