Zoekresultaten
Componeren in de klas
Iedereen componist? Jazeker! Componeren in de Klas is een workshopreeks waarin kinderen van het basisonderwijs samen met een componist zelf een compositie creëren, noteren en uitvoeren. Het concept is…
De kunst van het luisteren
Wanneer wordt ‘geluid’ muziek? Wat is ‘klassieke muziek’ vandaag? Hoe gaat een hedendaagse componist te werk? Waarom zien nieuwe partituren er zo ‘anders’ uit? Verder bouwend op de webpagina en…
Workshops
Workshops MATRIX organises workshops to initiate children, teenagers and adults into the realm of new music. Our aim is to develop workshops for a variety of contexts: primary schools, amateur…
Calendar
Calendar 26/08/2024 –> 30/08/2024 Nadar Summer Academy #14 Past events 03/04/2020 – 100% Belgian Music / 100% written after 1830 10/19/2019 – DROM – Henderickx @ TRANSIT Festival 11/06/2019 -…
Favourites
Frederik’s choice Hallveig’s Choice James’ Choice Marina’s choice Monika’s Choice…
VAN DER ROOST Jan (1956)
…countries on 4 continents. Van der Roost has only infrequently taken part in composition competitions, although he has twice won prizes: in 1985 with Van Maan en Aarde (From Moon…
VAN DER VELDEN Renier (1910-1993)
…proof for Van der Velden of their value as absolute music. In his ballet music, Van der Velden often drew inspiration from famous painters; for example, James Ensor in Oostendse…
VAN DER STRAETEN Geert (1962)
…by Christina Guirlande. In 2002 as well, compositions and manuscripts by Geert Van der Straeten formed part of an exhibition of composers from Dendermonde, as part of the project “Dendermonde…
GOEYVAERTS Karel (1923-1993)
…Munchen, 1981 – H. SABBE, Vom Serialismus zum Minimalismus. Der Werdegang eines Manierismus. Der Fall Goeyvaerts, “Minimalist avant la lettre”, in Neuland. Ansätze zur Musik der Gegenwart, ed. H. HENCK,…
NEYRINCK Frederik (1985)
…Le Corbusier. Neyrinck’s compositions have won numerous awards, such as at the International Composition Competition Melbourne (2010) and the MA – Stephan De Jonghe Composition Competition (2011). In 2017–2018, he…
CEULEERS Willem (1962)
…hij zijn orgelreeks verderzet. In 2006 werd hij dekanaal organist van Laken (titularis in Sint-Lambertus, organist in Sint-Clara en assistent in Onze-Lieve-Vrouw). Sedert 2000 is hij eveneens muzikaal leider van…
FONTYN Jacqueline (1930)
…REVERIE ET TURBULENCE, CAPRICORNE, COLINDA, ES IST EIN OZEAN – Cybele 3 SACD KIG 005 Links https://www.youtube.com/watch?v=-ckaDTVnKQo https://www.youtube.com/watch?v=-e0Oq6U8QMw https://www.youtube.com/watch?v=hgCkOzk9E_w&list=OLAK5uy_kqGJfEy-_K2-NrTnqtQ36icDcT0TEKGx0&index=5 https://www.youtube.com/watch?v=NMcVmwfeSVU https://www.youtube.com/watch?v=Qygy4knO-5w&list=OLAK5uy_mLS6iz0Da_m9rXHXtGTul7GWNjxReudtc ©MATRIX Texts by Wynold Verweij Last changes: 2020…
BUCKINX Boudewijn (1945)
…in Darmstadt, working with the composer on the project entitled Musik für ein Haus. Buckinx has also been strongly influenced by Mauricio Kagel and John Cage; in 1972 he wrote…
BRADT Sebastian (1979)
…steeds weer bij een eigen idioom te belanden. Zijn muziek is postmodern in die zin dat hij zonder esthetische beperkingen inspiratie put uit de meest uiteenlopende muzikale, visuele, litteraire en…
CASTEELS Robert (1958)
…in five years. In private lessons with the Marcel Quintet in Tervuren and with Peter Maxwell Davies in Dartington, he developed additional skills in analysis and composition. After earning his…
PRINS Stefan (1979)
…abroad, including the “Impuls Composition Competition Award” (Graz, 2009), the “Staubach Honorarium” (Darmstadt, 2009) and the “Kranichsteiner Musikpreis für Komposition” (Darmstadt, 2010). In addition, several of his works were selected…
LEGLEY Victor (1915-1994)
…as jury-member or chairman at international competitions, such as the Queen Elisabeth Competition, the Verviers International Competition of Lyrical Song, and the Bösendorfer-Empire International Piano Competition. In 1986 he was…
GYSELYNCK Franklin (1950-2020)
…f-sharp) in bars 9-27 and 68-79 are passed between the different strings, in combination with imitative melodic fragments in the freely-composed voices. In his instrumental music, Gyselynck has an ongoing…
RAES Godfried-Willem (1952)
…instruments in new ways or by building new instruments oneself; and a broadening of the role of the audience, which is invited to participate. In this, completely in keeping with…
NEES Vic (1936-2013)
…subjective power of expression. The composer also integrates non-classical elements into his music. In Bonum est confitere Domino for tenor, harp, percussion and choir, the instrumental introduction is reminiscent of…